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The scope of this study revolves around Africans on the Northern Rhodesian Copperbelt and their colonial cinema experiences from 1928 to 1964. Using archival sources and oral interviews (qualitative methods), it describes how Africans on the Copperbelt engaged with colonial cinema in a segregated...

The purpose of this thesis is to analyze the development of theatre in Zambia with special emphasis to the period between 1950 and 1975. The methodology is mainly descriptive with material based on the author's personal experience, interviews, observations, correspondence, and on printed material...

This study sets out to examine critically the direction that Zambian theatre has taken since independence and to draw attention to the problems and contradictions in its development. Particular divisions that exist within Zambian theatre, such as that between the Theatre Association of Zambia...